Case 2.12: Resistance

Janeway meets the guy who played the Emcee in Cabaret and joins an underground revolution in order to save his wife and daughter from a prison that they aren’t actually in because they are dead. Can Janeway prevail without her state-of-the-art ship and mediocre crew to back her up? Will a thoughtful analysis and commentary give way under an avalanche of obvious musical theatre reference jokes? Is “Resistance” good… or is it garbage?

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